Philip Cioffari’s
latest novel is The Bronx Kill. (Logline:
An obsessed detective seeks revenge upon three men for his brother’s drowning
death.) He is the author of
the novels: DARK ROAD, DEAD END; JESUSVILLE;
CATHOLIC BOYS; and the short story collection, A HISTORY OF THINGS LOST
OR BROKEN, which won the Tartt Fiction Prize, and the D. H. Lawrence award for
fiction. His short stories have been published widely in commercial and
literary magazines and anthologies, including North American Review, Playboy, Michigan Quarterly Review, Northwest
Review, Florida Fiction, and Southern Humanities Review. He has
written and directed for Off and Off-Off Broadway. His Indie feature film,
which he wrote and directed, LOVE IN THE AGE OF DION, has won numerous awards,
including Best Feature Film at the Long Island Int’l Film Expo, and Best
Director at the NY Independent Film & Video Festival. He is a Professor of
English, and director of the Performing and Literary Arts Honors Program, at
William Paterson University. Visit www.philipcioffari.com
Questionnaire:
Thanks for letting
us interrogate you! Can you give us a
go-for-the-gut answer as to why you wanted to be an author?
Nothing else
mattered as much. For me, recording life has always been as important as living
it.
Tell us (we won’t
tell promise!) is it all it’s cracked up to be?
I mean what are the perks and what are the demands?
It’s hard work,
long hours, long years, solitary, but from the satisfaction it gives me I can
definitely say it’s worth it. It’s not for the faint-hearted, though.
Which route did you
take – traditional or self-published – and can you give us the nitty gritty low
down on what’s that like?
My publisher is an
independent university press. They’ve been supportive and professional in every
way possible. I entered a story collection contest they sponsored and I won.
That’s how we came together.
Tell us for real
what your family feels about you spending so much time getting your book
written, polished, edited, formatted, published, what have you?
I live alone so I
have no one to answer to but myself. There are things in one’s life where it
doesn’t matter what other people think.
In writing your
book, how did you deal with the phone ringing, your family needing dinner or
your boss calling you saying you’re late?
I arrange my hours
so that I write before I go into work. As a college prof, I have some
flexibility with my work hours. Hooray!
What was the
craziest or insane thing that happened to you in the book publishing process?
I once hired a
publicist who accomplished nothing.
How about the
social networks? Which ones do you
believe help and which ones do you wish you could avoid?
I think any contact
you make with other human beings is helpful. I tend to spend more time writing,
though, than promoting.
Book sales. Don’t you just love them (or lack of?)? How are you making the sales happen for you?
I go to
conferences, give readings, the usual. Some things are out of our control.
What is one thing
you’d like to jump on the rooftop and scream about?
I’ll save the
screaming for when I’m on the NY Times Best Seller list.
Okay, too much
sugar for you today! Here’s a nice cup
of Chamomile tea and come on over and sit under the cabana and watch the waves
roll in. Now…can you tell us what you
love about being a published author and how all those things above doesn’t
matter because it’s all part of the whole scheme of things and you wouldn’t
have it any other way?
You’re right. None
of the negatives matter, if you truly have the drive to write. I love that I can spend my time coming up
with ideas, exploring people and places, and work with language as my medium. I
love crafting sentences that are visual and evocative, that elicit feelings from
the reader.
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