Name: Jim Nesbitt
Book Title: The Right Wrong Number
For more than
30 years, Jim Nesbitt roved the American Outback as a correspondent for
newspapers and wire services in Alabama, Florida, Texas, Georgia, North
Carolina, South Carolina and Washington, D.C. He chased hurricanes,
earthquakes, plane wrecks, presidential candidates, wildfires, rodeo cowboys,
ranchers, miners, loggers, farmers, migrant field hands, doctors, neo-Nazis and
nuns with an eye for the telling detail and an ear for the voice of the people
who give life to a story. He is a lapsed horseman, pilot, hunter and saloon
sport with a keen appreciation for old guns, vintage cars and trucks, good
cigars, aged whiskey and a well-told story. He now lives in Athens, Alabama
where he writes hard-boiled detective thrillers set in Texas. His latest novel,
The Right Wrong Number, which is set in
Texas and northern Mexico, features
Dallas private eye Ed Earl Burch, a cashiered homicide detective who has been
called “a classic American anti-hero.” His first novel, The Last Second Chance, also a hard-boiled Burch thriller, won Best
Hard-Boiled Mystery for 2016 from Independent Crime Master Authors, was
selected as an Underground Book Reviews Top Pick and named a finalist for their
Novel of the Year award. To learn more about Jim’s books, visit
www.jimnesbitthardboiledbooks.com.
Amazon Link to
Book: www.amazon.com/author/jimnesbitt
Questionnaire:
Thanks for letting
us interrogate you! Can you give us a
go-for-the-gut answer as to why you wanted to be an author?
Author seems kind
of pretentious. I’m a writer. Always have been. Didn’t have much of a damn
choice. I come from a long line of hillbilly storytellers and grew up listening
to my parents, grandparents, uncles, aunts and older cousins tell tales of
growing up in the Great Depression, going overseas to fight in World War II,
coming home to marry and start families. I’ve got an older cousin who ran
moonshine to help pay for a heart operation for his daughter. He later became a
cop. I’ve got another cousin who bootstrapped his way onto the engineering team
that developed the lunar landing module for the Apollo moon launches. All he
had was a high school diploma, but he was a super smart guy with a ton of
technical training from the Army’s missile program. One of my great
grandfathers was a circuit-riding preacher who served hamlets so deep in the
North Carolina mountains they had to pipe in the sunshine. These stories gave
me a keen sense of family, time and place that has served me well as a writer,
which is what I’ve been professionally for a very long time. But it’s far more
than a paycheck to me: it’s who I am.
Tell us (we won’t
tell promise!) is it all it’s cracked up to be?
I mean what are the perks and what are the demands?
The perks are
seeing all of those scenes and people and dialogue spill out of your head and
come to life on paper. I just love telling stories and can’t imagine a life
without writing them down. The demands are those of a merciless mistress with a
whip in her hand.
Which route did you
take – traditional or self-published – and can you give us the nitty gritty low
down on what’s that like?
I went the indie
route after riding a maddening merry-go-round with agents and publishers who
wanted me to re-write my books to make them into something they weren’t—parrot-like versions of the last book they
successfully sold. Didn’t know a thing about self-publishing but learned a lot
through trial and a ton of error and wasted money putting the first book out
there, The Last Second Chance. Tried
to apply those lessons for a smarter and less wasteful launch of The Right Wrong Number. When you
self-publish, you get to tell your story your way, but you also have to learn
how to do everything yourself, particularly the ceaseless hustle to get your
book noticed and crank up your sales.
Tell us for real
what your family feels about you spending so much time getting your book
written, polished, edited, formatted, published, what have you?
They already have
me pegged as a crazed, obsessive and unrepentant outlaw, so this seems like
perfectly normal behavior to them.
This is for pet
lovers. If you don’t own a pet, skip
this question, but do your pets actually get their food on time or do they have
to wait until you type just one more word?
I’ve got a cranky,
old orange tabby that’s snoring away on my lap right now. His name is Milo and
he’s a bossy little bastard. When he gets tired of waiting for me to feed him
or clean his litter, he just walks across the keyboard to my computer and
starts yowling at me. He’s an Anglophile and degenerate gambler, addicted to
betting on Brit Premier League soccer when he’s not working on his Winston
Churchill imitation. He also poaches my cigars.
In writing your
book, how did you deal with the phone ringing, your family needing dinner or
your boss calling you saying you’re late?
I ignore the phone.
I live alone, so I don’t have anybody nagging me about taking out the trash or
any other domestic chore. And my boss is based in a different city so he really
doesn’t know if I’m late, early, on-time or long gone just as long as I get the
work done on deadline.
What was the
craziest or insane thing that happened to you in the book publishing process?
Having millennial
formatters tell me that rivers of hyphens cascading through my book on words
seven letters or fewer was something that wouldn’t drive readers batshit crazy
and was an acceptable professional look for my books. I rudely disagreed and
fired them and found a pro to give me the clean and polished look I expect my
copy to have. I’m old-school and hate sloppy and clueless laziness.
How about the
social networks? Which ones do you
believe help and which ones do you wish you could avoid?
I think Facebook,
Twitter and Instagram are great for helping you create buzz about your books
that doesn’t necessarily translate into sales. I also post semi-frequent
updates on LinkedIn and my blog, The Spotted Mule, https://spottedmule.wordpress.com/
And I really enjoy
the virtual give-and-take of blog tours and Q&A’s from book bloggers,
particularly those who love snarky patter. Patter is vital and snarky patter is
best of all. But what I’ve learned is you just can’t rely on social media alone—you
also have to have an old-school game and hustle your work to influential
publications that focus on your genre as well as national and regional
magazines and the few newspaper that still run book reviews.
Book sales. Don’t you just love them (or lack of?)? How are you making the sales happen for you?
I’ve found that a
combination of snagging good reviews in newspapers and magazines, Amazon advertising
and frequent use of giveaways, countdown sales and deep discounts for a set
time period give me a modest stream of sales. I haven’t found the silver bullet
that will make me a best-selling author and don’t think there is one. It’s a
marathon of the constant hustle.
What is one thing
you’d like to jump on the rooftop and scream about?
Snobs who think a
book can’t possibly be good if it’s self-published and the self-appointed
gatekeepers and arbiters of “what good is” for a particular genre. You saw that
in the traditional publishing world, but those walls have crumbled with the
rise of self-publishing and the ease of getting your book into the market.
Sadly, you’re starting to see those same type of folks pop up in the indie
game. For the most part, they’re hawking a template for a genre, a checklist
for what a book must have and mustn’t have to win a gold star from them. Most
don’t realize a good writer masters the template then turns it on its ear or
chucks it out the window to tell the story his or her way.
It takes a
schizophrenic mix of confidence, determination and humble to write a novel and
put it out on the market and still be able to keep the ego in check to accept
good editing and smart, knowing criticism you need to hear from fellow writers
to become a better writer. I’ll chew the fat till the cows come home with a
writer or editor who has taken the time to read my book and offer me a detailed
critique of what they liked or didn’t like and why. Readers are different
animals: they paid their nickel and earned the right to tell me my books suck.
And I’ll always listen because you never know who will deliver that nugget you
need to get better. That’s why I read every review, good or bad, even the nasty
ones from trolls. I’m looking for that nugget. But when I get dinged by one of
these Checklist Charlies, I see red. Even Chandler himself flipped the template
of the genre he helped create upside down to tell the story he wanted to tell
in The Long Goodbye the way he wanted
to tell it.
Okay, too much
sugar for you today! Here’s a nice cup
of Chamomile tea and come on over and sit under the cabana and watch the waves
roll in. Now…can you tell us what you
love about being a published author and how all those things above doesn’t
matter because it’s all part of the whole scheme of things and you wouldn’t
have it any other way?
When I was a
journalist, I used to think there was nothing better than that front-page
byline with a screaming headline over a story you wrote that ripped the cover
off some big scandal or painted an evocative portrait of people swept up in a
crisis or tragedy. That was my addiction for a lot of years. I’ve now found a
far better drug--that first proof copy of a novel I’ve written coming in the
mail. I’m a junkie who wants to see more of his own books all lined up in a
row.
